Michael Bauer

b. 1973, Er­ke­lenz, DE
Lives and works in New York, NY, US

The amor­phic, ani­ma­li­stic forms of Ger­man pain­ter Mi­cha­el Bauer are built upon color was­hes, me­an­de­ring lines, and bul­bous pro­tru­si­ons. Uti­li­zing a va­ri­e­ty of ren­de­ring tech­ni­ques and ma­te­ri­a­ls, in­clu­ding poin­til­lism, text and high-chro­ma co­lors, Bauer trans­forms his free-form com­po­si­ti­ons into dy­na­mic and or­na­men­ted ab­s­trac­ti­ons. He bor­rows from the co­lor­ful tra­di­ti­on of Mo­der­nist com­po­si­ti­on, jux­ta­po­sing col­la­ged cu­touts with a bevy of 20th cen­tu­ry pain­ting me­tho­do­lo­gies—in­clu­ding Cu­bist, Pop, and Sur­re­a­list tech­ni­ques—to make the swir­ling pain­tings he’s be­co­me known for. Says Bauer of his pro­cess, “I will say, espe­ci­al­ly in pain­tings, there is al­ways a fi­gu­ra­ti­ve sense be­hind it. I look at fi­gu­res and I look at in­ven­ti­ons of fi­gu­res. But then of cour­se once you paint, it jumps back and forth bet­ween so­me­thing that could be a lands­ca­pe but is also cer­tain color ar­ran­ge­ments. So, you’­re con­stant­ly chan­ging back in the way you look at it and in the way you work. It goes both ways.”
 

Michael Bauer
©FEDERICA SCHIAVO GALLERY & Michael Bauer, Bildausschnitt: "STAIRS TO THE SKIES AND RED DOG", 2024